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CAIO VEYRON GET FUCKED FREE GAY MOVIES MOVIE
It’s the best “gay” movie I’ve seen this year.You are about to enter a website that contains explicit material (pornography). (He ain’t bad on the eyes either.)Ĭiao is a fantastic movie, masterfully written, directed, and acted. But I was most struck by Adam Neal Smith, whose understated performance as a man who does not cry at the death of his best friend is pitch-perfect. Alessandro Calza (who co-wrote the movie along with director Yen Tan) gives the film, and his character, an easy grace it’s easy to see how Mark could have been so taken with the handsome European. When Jeff confesses that he speaks no foreign languages, he is forced to quote bits of Texan vernacular - as foreign a language to most as is Italian or Chinese to those who don’t speak them. At one point, Jeff and Andrea and Jeff’s Chinese-American sister try to teach each other phrases of the foreign languages they know. In addition to being visually inspired, the movie is infused with well-constructed scenes and bits of clever dialogue. We don’t know Mark, but we’ve seen the incredible impact he’s had, and will continue to have, on these two men - the one he loved and the one who loved him. When we finally meet Mark for ourselves, in an extended video sequence toward the end of the movie, the effect is devastating. The scene on the bed between Jeff and Andrea is one of the most tender and interesting I’ve ever seen. How could things be any more unresolved than that?Īnd yet, despite its seemingly gentle pace, this movie quickly picks up steam and rushes headlong toward its not-entirely-unexpected, and yet somehow very satisfying conclusion. Ciao is the story of a love triangle, but with one third of the triangle deceased. True, Ciao is basically an extended conversation between two people, but unlike, say, My Dinner With Andre, the film crackles with dramatic tension and unresolved feeling. That said, this movie is anything but a pretentious art-house snooze-fest, and it’s not fair to slap the “character study” label on it either - the tag critics give to justify films that, outrageously, don’t bother with anything resembling a plot. If car-crashes and quick edits are your thing, this may not be the movie for you. This is a movie with a small cast, simple sets, and a deliberately clean and simple filming style. After watching the twenty-thousandth story of some amoral, but frequently shirtless hustler, or the thirty-thousandth portrait of some misunderstood but oh-so-sensitive gay kid, what I was apparently yearning for was a minimalistic meditation on the nature of grief, friendship, and love.Īnd minimalistic it is. But most of all, I loved how different the subject matter was for a “gay” film. There are so many things I loved about Ciao, which is currently playing at Los Angeles’ Outfest Film Festival, that it’s hard to know where to start. Over the course of the next two days, these two strangers bond over, and start to come to terms with, the recent death of their mutual friend. But he learns that Andrea’s ticket is already paid for, so, upon reflection, Jeff invites Andrea to come and stay with him anyway. They were even planning on meeting for the first time, with Andrea coming to stay with Mark for the upcoming weekend.Īt first, Jeff emails Andrea and tells him of Mark’s death, and to not to bother coming. In reviewing some of Mark‘s email, Jeff finds evidence of what was a hidden, online romance between Mark and a man in Italy, Andrea. Jeff, who lives in Dallas, is dealing with the recent accidental death of his best friend, Mark. The Italian word “ciao” can mean both “hello” and “goodbye.” It’s an apt title for the wonderful new movie, Ciao, which is about both saying hello and saying goodbye -and how one man uses the act of saying hello to say goodbye.